Space Battleship Yamato

Space Battleship YamatoSynopsis: A cult classic from the glory days of anime blazes to life on the big screen in this feature-length Sci-Fi epic starring Takuya Kimura (Redline, Howl’s Moving Castle)~ The year is 2199. Mankind teeters on the brink of extinction as the Gamilas, a heinous race of alien invaders, wage an endless war for the right to inhabit the Earth. The last hope for humanity lies on the distant planet of Iskandar, and the only battleship capable of attempting the journey is the legendary Yamato. Armed with the devastatingly powerful Wave Motion Gun, grizzled Captain Okita and the Yamato’s crew venture boldly into the darkest depths of space. The Gamilas attack at every turn, but fallen hero Susumu Kodai and ace pilot Yuki Mori fight side by side for the future of their world. Together, these young lovers unlock the secrets of Iskandar – only to face a harrowing voyage home that will change their world forever!

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Space Battleship Yamato 6.75

eyelight: its zeal. its score.
eyesores: its trite script. its low-budget CGI.

“Let’s make the Earth green again!”

I’ve never watched ‘Uchu Senkan Yamato’, the 1974 anime that ‘Space Battleship Yamato’ is based on. In fact, I don’t recall having ever heard of it before, despite its popularity (there are countless series, spin-offs and motion pictures!). But I had seen this 2010 live-action film around in local stores.

…and promptly dismissed it; it just seemed like run-of-the-mill, B-grade, stuff.

But two of my closest friends had other ideas in mind: both bought it for me at for my 2015 birthday. One found it cool-looking, being a Japanese sci-fi movie based on an anime, and the other gave it to me with a bit of a wink, maybe in jest. Clearly, there was no escaping ‘Space Battleship Yamato’.

The picture is set in the late 21st century. Earth is devastated by radioactivity and humanity lives underground. Under constant attack from an alien race called the Gamilas, humanity is on the brink of extinction. And so they send Space Battleship Yamato, their last hope, to Iskandar for help.

Naturally, there will be many hurdles along the way, no thanks to the Gamilas.

The picture started off on a really bad note, with a starship battle near Earth: given the budget, the picture was made with as few practical effects and real sets as possible, so the combat was all CGI. But cheap CGI looks like crap, and so it looked like we were watching a video game with actors in it.

Yikes.

The next awesome scene of badness was when Susumu, who we would discover is our lead, goes above ground to scavenge for anything valuable. Given the radiation level, he’s wearing a respirator. But an enemy projectile conveniently lands right near him and actually blows the mask right off his face!!!

Laugh out loud!

Unharmed by the radiation or the impact of the missile, he takes the shell back to a military base somewhere, somehow, where he is allowed entry despite his high radiation level – levels high enough that the medical officer won’t let him wander about the halls, for fear that he might make everyone else sick.

Naturally, he still comes and goes as he pleases.

This shell sets in motion humanity’s last attempt at survival, and Susumu applies for a position on the Yamato. Of course, he gets in (of course!), becomes their main navigator, as well as their gunner – even though he has no training and there would surely be some capable and proven pilots on hand for the job.

The picture is just a string of ridiculous and clichéd moments, as though the filmmakers had watched all the junk Hollywood action films that they could get their hands on, put to paper all of their common elements, tossed them in a blender and hit frappé. It’s all familiar, and it’s devoid of any soul.

Or intelligence.

  • Why is there gravity and noise in space?
  • Why does Yuki, the bad @$$ chick, resent Susumu’s arrival?
  • Why did the doctor bring a cat on board?
  • How could a meteorite jeopardize the mission just as the Yamato does its test launch?
  • Why is the Yamato’s targeting system a handgun that comes out of the control panel?
  • Why did the pilots suddenly give up when they saw that Yuki had beaten them to the launch?
  • Why would Yuki continue talking on her communicator if she was out of oxygen?
  • How could Yuki survive in the cold of space after ejecting from her ship (and how could she eject anyway)?
  • Why in the world do the pilots have arms underneath their ships? It’s useful for catching Yukis in space, but what else for?
  • How could Susumu make it back to the Yamato in 28 seconds if he has to rescue Yuki and avoid enemy fire?
  • Why would the captain bring an enemy craft on board when he finds it drifting in space? Isn’t that a security breach? (Answer: Hell yeah, it was!)
  • Why could the Yamato crew shoot at an alien inside their own ship, putting its structural integrity and themselves at risk?
  • Why would the Captain not have a back-up for himself, if he knew all along that he was dying?
  • Why would Susumu become the Captain if there were more experienced and reliable pilots there?
  • How in the world could a boulder block the Yamato’s wave gun, after hitting it directly?
  • Why didn’t the Yamato crew bother to unblock the wave gun, their most potent weapon?
  • Why would they spend something like 10 minutes discussing their plan to save humanity while they’re under attack?
  • How could Earth be healed in just a couple of years, returning from a worldwide desert to a beautiful green planet again?

The whole picture devolves into a ludicrous combat on Iskandar, the kind of large-scale stupidity that you get from watching ‘Aliens‘ and all its derivatives far too often and not understanding their subtleties. Watching two of the crew shooting at their aggressors double-handed, with no cover whatsoever hurt.

Heck, even the dialogues were moronic, trite, telegraphed – all garbage that’s been done before, but better, like bad paint-by-numbers. Did we need to hear a pretentious and cheesy ‘Independence Day’-style speech by Susumu before the crew went on their mission on Iskandar? Um, no.

Was it purposely ironic, or just dumb?

The only things that I thought stood out from anything else were the Yamato itself, which looks like a cross of a WWII battleship and a spaceship, the crew’s leatherette biker-style jackets, and the motion picture score, which was epic, and earnest – so much so that it almost lent the picture credibility.

Almost.

Look, ‘Space Battleship Yamato’ isn’t boring, it’s not unentertaining. But it’s junk food: it’s akin to one of those puny, thin McDonald’s cheeseburgers versus a gourmet burger that was freshly-made. You know, it fills a hunger gap, but it lacks all substance – and you’d be hard-pressed to call it quality stuff.

Switch off your brain to enjoy!

Date of viewing: July 1, 2016

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